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Comprehensive, clear and a little drab
Great treatment of traditional, rigorous requirements mgmtIterative approaches are proven to be more effective at eliciting requirements, a fact which is somewhat embraced in the author's discussion of use cases; however, Jacobson originally envisioned use cases to replace other requirements documents as a central element in elicitation, rather than just being a quick diversion.
In reality, most of us strike a middle ground. Projects can't be run in most organizations without rigor, and Software Requirements is a thorough treatment or requirements development and management. The well-organized book is a quick read, and is filled with prescriptive advice, risks, sample forms, and checklists that can be applied to your requirements effort. No wonder the author won a Software Productivity Award for the effort!
A must for anyone affected by software system development

Great Book,Great Radio Show!
A Truly Inspirational and Informative Book!
Reseeding my Receding Hair Line

Best Fundamental Optics Textbook Ever.The 4th Edition is a lot more visually appealing than the 3rd edition. But in terms of new material it's not much different. The book has so many diagrams and pictures that it really helps supplement the actual text a lot.
I really reccomend this book for anyone looking for a solid foundation in classical optics.
Best all-around optics text since Jenkins & White!
Great intro to Optics!

A solid reference for engineering purposes.
Marks' Handbook is a winner!
Reference manual, not a problem solver

A Hidden Tragedy of the 20th Century
A Must Read
If you read one book on the Armenian Genocide, READ THIS!

Thought-provoking, funny and touching
Another Winner
Incredibly interesting. Can't put it down.

Worth reading, if just for the study of Aaron
Manly tears and excessive violence: the first John Woo film?Jonathan Bate in his exhaustive introduction almost convinces you of the play's greatness, as he discusses it theoretically, its sexual metaphors, obsessive misogyny, analysis of signs and reading etc. His introduction is exemplary and systematic - interpretation of content and staging; history of performance; origin and soures; textual history. Sometimes, as is often the case with Arden, the annotation is frustratingly pedantic, as you get caught in a web of previous editors' fetishistic analysing of punctuation and grammar. Mostly, though, it facilitates a smooth, enjoyable read.
Caedmopn Audio presents a fine production of a strange playWhich brings us to Michael Hordern's Titus. Hodern is a fine actor but not a great one. He suffers well but not grandly. I am surprised that his Big Moment--"I am the sea"--is lost among all the other images in that speech. But anyone can direct someone else's play. This recording, soon to be rivaled by one in the Arkangel series, is definitely worth having for Quayle's performance alone.


Helped me understand a company's TRUE financial performance
Could not have come at a better time . . . .as experts in the field, and they did not let me down in their analysis of creative accounting procedures in The Financial Numbers Game. A great book!
Whoa! Excellent book to explain creative accounting ...

Thou Art What Connects Us All
A pleasant taste of metaphor study.One mistake the editor, and many a reviewer, make is to try and say that Campbell focuses on the Judeo-Christian aspect of symbol abuse. If one were to read all of Campbell's work, they would find this to be quite wrong. Campbell is not so shallow. His concern is mythology, all of it, world-round. In fact, the majority of his work focuses on primitive mythology. He certainly spoke and expounded on the Judeo-Christian aspect much in his lecturing, but this is mostly because that is what his audience was interested in, especially the new-agers who desperately clung to Campbell in the last decades of his life.
But I encourage those interested to dig deeper than this book into Campbell's work where can be found a rich, scholarly depth and breadth of mythos/logos study.
Finding new meaning in old metaphors."If we listen and look carefully," Campbell believed, "we discover ourselves in the literature, rites and symbols of others, even though at first they seem distorted and alien to us. Thou art that, Campbell would judge, citing the underlying spiritual intuition of his life and work" (pp. xii-xiii). Campbell makes a compelling argument in this book that the language of religion is metaphorical (p. 19), and that religious symbols "point past themselves to the ultimate truth which must be told: that life does not have any one absolutely fixed meaning" (pp. 8-9). He encourages us to search out the "deeper, vital meanings of symbols whose surfaces are so familiar that they have become static and brittle" (p. 43). For instance, the Virgin Birth may be viewed as a rebirth of spirit that everyone can experience, and the Promised Land may be viewed as the geography of the heart anyone can enter (p. xvii). The Kingdom of God is spread upon the earth, Campbell says, only men do not see it (p. 19). When they realize that, the end of the world as they know it has arrived (p. 83).
This book covers some familiar territory, which will provide readers new to Joseph Campbell with a good introduction to his work. Mythology, he writes, serves four functions. Myths awaken us to the mysteries of the universe (pp. 2, 24). They present us with a consistent image of the order of the cosmos (p. 3). Myths validate and support a specific moral order (p. 5), and they carry us through the passages and crises of life (p. 5). He encourages us to find our own paths through the forest, and to reach for the transcendent by studying poetry (p. 92). One must "search out one's own values and assume responsibility for one's own order of action and not simply follow orders handed down by some period past" (p. 30). "The heart," he tells us, "is the beginning of humanity" (p. 99).
Revisiting Campbell's ideas through this book reminded me how reading his HERO WITH A THOUSAND FACES (1949) and POWER OF MYTH (1988) were life changing experiences for me. My only real criticism of this book is that at just over 100 pages, it is too short. But as an inauguration to the Collected Works of Joseph Campbell, it should not be missed.
G. Merritt


Dense for the Common ExperienceThis book should really have been titled "The Varieties of Christian Religious Experience," for it is only for Christianity (and to some extent Judaism) that James is well-versed enough to give a thorough examination. It is not that he does not respect Islam or Buddhism; it is that he doesn't know them well enough to draw them fully into the discussion.
A Classic Worthy of the WordSome readers will approach this work as believers seeking clarification, others as skeptics seeking to understand. Their viewpoint may be philosophical or theological or psychological. All will be rewarded. Critics voted this among the best 100 books of the twentieth century. If you want insight into humanity's religious dimension, it should be your number one choice.
Total nectar.Why such an emphasis upon the individual? Because, as James states, the pivot around which the religious life revolves "is the interest of the individual in his private personal destiny." All proper "religion" by such a definition must consist in an individual experiencing connection with that which he considers to be the higher power(s). In fact, at one point James states that "prayer is real religion." And further, "Wherever this interior prayer is lacking, there is no religion; wherever, on the other hand, this prayer rises and stirs the soul, even in the absence of forms or of doctrines, we have living religion." A thought-provoking principle.
You will never appease your hunger by staring at a menu. You have to actually open your mouth and "experience" the eating of some food. Similarly, we can only learn about religious experience by recounting the experiences of those who've done some profound religious eating (so to say). This is James' method. He renounces the ambition to be coercive in his arguments (this is not an apologetic work) and simply focuses on "rehabilitating the element of feeling in religion and subordinating its intellectual part." He does this by the examination of diverse case histories.
And he uses the "extremer examples" because these yield the profounder information. He called these types "theopathic" characters; those who tend to display excess of devotion. His reasoning is thus: "To learn the secrets of any science, we go to expert specialists, even though they may be eccentric persons, and not to commonplace pupils. We combine what they tell us with the rest of our wisdom, and form our final judgment independently."
Concerning this "final judgment" I found the following principle in the lecture entitled "Mysticism" to be particular liberating. As regards the extremely theopathic: "No authority emanates from them which should make it a duty for those who stand outside of them to accept their revelations uncritically." A good word to hide in your heart against the next time some well-intentioned saint feels that their eccentricities should be yours.
To be honest, I found the lecture entitled "Philosophy" to be fairly technical and daunting, but such criticism I charge to my own lack of knowledge in this area rather than to any deficiency in the book itself. Upon closing its covers, I was a satiated bee. The book is total nectar.
This is an excellent book that covers developing a strong requirements process. Wiegers doesn't cover underlying philosophy (see Kovitz or Jackson), but he provides a useful reference. The book outlines many good practices - and his point about "good practices" versus "best practices" is well taken, but it is not as well organized as some other toolbox-style books.
A big part of establishing effective requirements gathering is selling the management team. This book doesn't really tackle this challenge.
The sample project is helpful, but I wish Wiegers had gone the last mile and attached the project requirements documents as an appendix.
Despite this list of gripes about what the book doesn't do, it has many, many good points and is written in a clear, if not lively, fashion. Recommended.